Arts & Entertainment

Opposites Attract

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High schoolers Anthony and Caroline fall for each other while studying Walt Whitman in ‘I and You.’

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Dancing Across the Years

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Margaret Wingrove, who recently turned 80, is also celebrating 35 years at the helm of her San Jose dance company, which debuts its latest performance this week.

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Mixed Fruit

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The Pear Slices one-act festival offers up both mushy, crisp concepts.

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Off The Wall

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New Anno Domini exhibit elevates graffiti to realm of high art.

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Celebrating Cinco

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Make the most of the May 5 holiday with live music, culture, art.

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Mapping the Universe

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This 1850 illustration shows the Earth’s path around its star.

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Opening Up

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‘Mixed Orange’ is part of mixed-media artist Kerith Lisi’s series on the color. Lisi is one of many first year exhibitors at Silicon Valley Open Studios.

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Coming Home

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San Jose Museum of Art’s new curatorLauren Dickens, returns to her roots.

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Operatic ‘Desire’

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A masterpiece on stage and in film, ‘A Streetcar Named Desire’ works well as an opera, too.

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Totally Illogical

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A masterpiece in print, ‘Catch-22’  is a chaotic mess on the stage.

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Painting The Proletariat

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German street art duo, Various & Gould painstakingly created the pieces in ‘Permanently Improvised.

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A Score You Can’t Refuse

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And take the cannoli to Symphony Silicon Valley’s live-scoring of ‘The Godfather.’

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Boldly Subtle

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‘Blanket Statements’ contrasts antique, contemporary quilts.

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Dark Comedy

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The simplistic line drawings of mr. harada tackle complex human emotion.

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Local Heroes

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San Jose Museum of Art celebrates Silicon Valley’s artistic pioneers.

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Voices From the ‘Wasteland’

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A new San Jose-specific online literary journal, intends to preserve and breathe new life into the city’s creative community.

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Natural Light

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Waterfalls, butterflies sculpted out of LED at ‘Living Digital Space.

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Curtain Call

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Silicon Valley Ballet is closing for good.

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The Crossing

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‘Border Cantos’ highlights life in the transitory space between the U.S. and Mexico.

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Face Blind

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Gideon Rubin gives the viewer plenty of detail, but never shows the face of his subject. Pictured: ‘Braids.’

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