Arts

Miljohn Ruperto’s Haunting Visions Blur Reality at Stanford’s Cantor Arts Center

As Dante tells it, an inscription on the Gates of Hell reads: “Abandon all hope, ye who enter here.” A similar trigger warning is nowhere to be found upon the threshold of Miljohn Ruperto’s exhibit Animal, Vegetable, nor Mineral. The first room in the gallery emits a crepuscular light....
powerhouse production studio, san jose art district

PowerHouse San Jose Creates a Creative Haven for Women Entrepreneurs

In the corridors of San Jose’s arts district, PowerHouse has emerged as an unassuming sanctuary—a restored space that seeks...
south asian community members, los altos history museum

10,000 Memories of Partition

When empires collapse, they eventually grace the walls of the Los Altos History Museum.  For more than 10 years, the...
nfl protest, artist kota ezawa

Kota Ezawa Screens “National Anthem” at de Saisset Museum

The day before the Super Bowl, the German-Japanese artist Kota Ezawa will screen a two-minute video animation of NFL...
New Ballet, contemporary dance

Silicon Valley Winter Arts 2026

Whether it’s cold and rainy—or feeling like spring—there’s no reason to hibernate during a California winter. Years ago people...
Anoushka Mirchandani’s “My Body Was a River Once” at ICA

Anoushka Mirchandani at ICA San José

At the Institute of Contemporary Art (ICA) San José, archival stories from the Partition of India inspire paintings. Water...
Peaches Christ and the History of Drag

Peaches Christ and the History of Drag

Contrary to what the younger generation might think, RuPaul’s Drag Race didn't invent drag. The art form is so...

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