In the 1960s, a form of choreography called “dance for camera” emerged. This experimental artistic tradition questioned where a performance occurred, and how an audience might experience it. In Long Take, iteration artist Carolyn Lazard replaces the camera with microphones, and no longer is sight a primary means of aesthetic experience. Instead, Lazard co-designs a sensorial blur of sound, vibration, breath, touch, and memory. The exhibition is anchored by Leans, Reverses, a dance score made with dancer and writer Jerron Herman and poet and artist Joselia Rebekah Hughes. Long Take also includes two ephemeral, site-specific installations for the Cantor. Goes until December 13.
Thu, Aug 6, 11am, Free.
Cantor Arts Center, Stanford
